Edmund Campion
 
edmund campion
Photo credit: Philippe Gontier

April, 2016

Edmund Campion is currently Professor of Music Composition and Director at the Center for New Music and Audio Technologies at the University of California, Berkeley. He has received the American Rome Prize, the Lili Boulanger Prize, The Paul Fromm Award at Tanglewood, and most recently, the Goddard Lieberson Fellowship given by the American Academy of Arts and Letters. Recent commissions include the 2011 Commande d’etat for Wavelike and Diverse, written for Les Percussion des Strasbourg and released on the ensembles 50th anniversary Universal CD collection; Auditory Fiction (2011), commissioned by Société Générale for Radio France; Small Wonder (The Butterfly Effect) (2012), commissioned by the Serge Koussevitzky Foundation for the San Francisco Contemporary Music Players; Auditory Fiction II (2014), written for the ECO Ensemble for the Venice Music Biennale.  In 2012, while Composer in Residence with the Santa Rosa Symphony, Campion was commissioned for the The Last Internal Combustion Engine, written for full orchestra, Kronos Quartet and electronics.  Joshua Kosman of the San Francisco Chronicle called the piece “a vivid and richly imagined concerto.” In 2015, the famed Ensemble Intercontemporain and ARCADI in France co-commissioned Campion and audiovisual artist Kurt Hentschläger for the 25-minute, Cluster X.  The multi-media work was premiered at the Philharmonie de Paris in October of 2015 and toured the United States. Upcoming projects include a new commission from pianist Marilyn Nonken for a work to be inspired by Gèrard Grisey’s Vortex Temporum. As a 2016 Guggenheim Fellow, Mr. Campion will be composing for the Korean Traditional Contemporary Orchestra, an ensemble that features over 55 musicians performing on ancient instruments from Korea.  Mr. Campion will travel to Korea to study and work directly with the musicians. (http://cnmat.berkeley.edu/).

 

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Edmund Campion’s music explores relationships between sound and space—creations that often involve the careful mixing of acoustic instruments with emerging computer technologies. Born in Dallas, Texas in 1957, he studied composition at the University of Texas and Columbia University and he spent several years in France studying with composer Gérard Grisey. In 1993 he was selected to work at IRCAM where he composed the piece Losing Touch, a mainstay in the repertoire for percussion and electronics. He has been commissioned by major American and French cultural institutions including, IRCAM, Radio France, the French Ministry of Culture, the Fromm Foundation, and the Koussevitzky Music Foundation. His works are heard in concert halls worldwide and a monograph CD by the San Francisco Contemporary Music Players is available on Albany records. Les Percussion des Strasbourg sextet will release a recording of Wavelike and Diverse on their upcoming CD.